СÂÜÀòÓ°ÊÓ

PHOTOS: Washington’s Top СÂÜÀòÓ°ÊÓ gets a top-notch new home

Starting in early February, СÂÜÀòÓ°ÊÓ's live anchoring will be produced from six microphones like this one in the new Glass-Enclosed Nerve Center. The vast majority of 5425 Wisconsin Ave.'s technology is brand-new, under construction by Minnesota-based broadcast engineering team RadioDNA since late summer of 2018. СÂÜÀòÓ°ÊÓ's signal strength won't be impacted by the move, since the station's transmitter will remain at nearby American University. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)

It’s the start of a new age for СÂÜÀòÓ°ÊÓ, which bid adieu to its old Idaho Avenue location for a shiny, space-age pasture just up the street in Maryland.

It was bittersweet signing off from the old studio for a final time, but СÂÜÀòÓ°ÊÓ’s glimmering, state-of-the-art newsroom in Friendship Heights has all the technology and amenities Washington’s Top СÂÜÀòÓ°ÊÓ needs to accommodate an expanding round-the-clock news operation.

If the old building were a corvette, the new one is a battleship: With more than 30,000 square feet of office space, 47 editor’s stations, hundreds of screens and a brand-new Glass-Enclosed Nerve Center (now with more glass), the Wisconsin Avenue building is a beast of a newsroom. It almost feels like something out of “Star Trek.”

The new facility will be the first time in years that СÂÜÀòÓ°ÊÓ and its sister station, Federal СÂÜÀòÓ°ÊÓ Network, have shared the same office space. Call it a family reunion.

At 10 p.m. on Saturday, Feb. 2, 2019, 30 years of memories, journalistic history and free stuff on the magical “Football Table” came to an end at 3400 Idaho Avenue in D.C. — and it wasn’t exactly a slow news day.

The move came as a result of СÂÜÀòÓ°ÊÓ’s growth over the years, and the new Friendship Heights space allows for all departments to finally live on the same, expansive floor, said СÂÜÀòÓ°ÊÓ general manager Joel Oxley.

Take a behind-the-scenes tour of the Wisconsin Avenue newsroom in action below. Did I mention the electric convertible standing desks?

Welcome to СÂÜÀòÓ°ÊÓ’s home on Wisconsin Avenue! The new office space finally allows for all of СÂÜÀòÓ°ÊÓ’s departments to coexist on the same floor, and is 8,000 square feet larger than the 30-year-old newsroom at Idaho Avenue. This ring of television screens houses the editor’s desks — the starship-like command deck of the station’s 24-hour news operation. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The dawn of a new era for СÂÜÀòÓ°ÊÓ on Feb. 3 — the station’s first morning broadcasting out of the new studio on 5425 Wisconsin Avenue. So far, so good. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Sunday, Feb. 3 was the Wisconsin Avenue newsroom's first full day in action. After a smooth handoff from the Idaho Avenue office, СÂÜÀòÓ°ÊÓ's on-air and web teams were settling in to their new desks. Pictured: Digital writer Jack Moore, hard at work reporting on a controversy enveloping Virginia Gov. Ralph Northam. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Sunday, Feb. 3 was the Wisconsin Avenue newsroom’s first full day in action. After a smooth handoff from the Idaho Avenue office, СÂÜÀòÓ°ÊÓ’s on-air and web teams were settling in to their new desks. Pictured: Digital writer Jack Moore, hard at work reporting on a controversy enveloping Virginia Gov. Ralph Northam. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Dedicated СÂÜÀòÓ°ÊÓ listeners will likely be familiar with the fabled Glass-Enclosed Nerve Center (GENC), the translucent battleship bridge from which our anchors continously broadcast the news to millions in the D.C. area. The brand-new GENC at 5425 Wisconsin Ave. comes with more space, additional anchor positions, a private coffee machine, and, perhaps most fittingly: More glass. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Dedicated СÂÜÀòÓ°ÊÓ listeners will likely be familiar with the fabled Glass-Enclosed Nerve Center (GENC), the translucent battleship bridge from which our anchors continuously broadcast the news to millions in the D.C. area. The brand-new GENC at 5425 Wisconsin Ave. comes with more space, additional anchor positions, a private coffee machine, and, perhaps most fittingly: More glass. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Bruce Alan and Joan Jones — the voices of СÂÜÀòÓ°ÊÓ during morning rush hour — conduct an off-air practice run from the new main studio. While СÂÜÀòÓ°ÊÓ’s broadcast format remains the same despite the move, the new studio debuts state-of-the-art software and equipment, assembled and tested over the course of months to ensure a seamless transition from the old building. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Morning anchors Joan Jones and Bruce Alan go through a dry run of a standard news broadcast using the Glass Enclosed Nerve Center's new equipment. СÂÜÀòÓ°ÊÓ's news and advertising management softwares also saw upgrades, and audio engineers trained anchors how to use the new technology in the days leading up to the move. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Morning anchors Joan Jones and Bruce Alan go through a dry run of a standard news broadcast using the Glass Enclosed Nerve Center’s new equipment. СÂÜÀòÓ°ÊÓ’s news and advertising management software also saw upgrades, and audio engineers trained anchors on how to use the new technology. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Starting in early February, СÂÜÀòÓ°ÊÓ's live anchoring will be produced from six microphones like this one in the new Glass-Enclosed Nerve Center. The vast majority of 5425 Wisconsin Ave.'s technology is brand-new, under construction by Minnesota-based broadcast engineering team RadioDNA since late summer of 2018. СÂÜÀòÓ°ÊÓ's signal strength won't be impacted by the move, since the station's transmitter will remain at nearby American University. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
From now on, СÂÜÀòÓ°ÊÓ’s live anchoring will be produced from six microphones like this one in the new studio. The vast majority of 5425 Wisconsin Ave.’s technology is brand-new, much of it built by Minnesota-based broadcast engineering team RadioDNA since mid-2018. СÂÜÀòÓ°ÊÓ’s signal strength won’t be impacted by the move, since the station’s transmitter will stay put at American University. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ’s Madeleine Simon at the assignment editor’s station. Just like the old office, the radio, assignment and digital editors sit side-by-side to allow for easy communication between СÂÜÀòÓ°ÊÓ’s different departments. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ’s Rob Woodfork and Rick Massimo get to work on their new desks and computers Sunday afternoon. (СÂÜÀòÓ°ÊÓ/Sarah Beth Hensley)
A panoramic view of editing stations in the middle of the СÂÜÀòÓ°ÊÓ newsroom. (СÂÜÀòÓ°ÊÓ/Sarah Beth Hensley)
A panoramic view of editing stations in the heart of the СÂÜÀòÓ°ÊÓ newsroom. (СÂÜÀòÓ°ÊÓ/Sarah Beth Hensley)
WTOP's new digital reporting and web development sections feature 24 work stations, all fitted with virtual mixers and microphones — a space age upgrade for the D.C. region's largest all-news format radio oulet. The new office space finally allows for all of СÂÜÀòÓ°ÊÓ's departments to coexist on the same floor, and is 8,000 square feet larger than the 30-year-old newsroom at Idaho Avenue.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ’s new digital reporting and web development sections feature 24 work stations, all fitted with virtual mixers and microphones — a Space Age upgrade for the D.C. region’s largest all-news format radio outlet. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP's new office space, shared with sister station Federal СÂÜÀòÓ°ÊÓ Radio, is just under 31,000 square feet in an eight-story building just a short walk from the Friendship Heights Metro station in Maryland. The extra space allows for a whole array of new technology, including recording equipment at every station and larger screens for the digital team (pictured). Most work stations also have the ability to convert into standing desks with the push of a button. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The extra space allows for a whole array of new technology, including recording equipment at every station and larger screens for the digital team. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The sales team has a comfortable new seating area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Anchor Joan Jones tests СÂÜÀòÓ°ÊÓ's new ad management and audio playback software during an off-air practice run on Jan. 29. While the majority of СÂÜÀòÓ°ÊÓ's broadcast is recorded live in-house, pre-recorded reporter stories, segment transitions and ads are played back by anchors using the main studio's mixing board. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Anchor Joan Jones tests СÂÜÀòÓ°ÊÓ’s new ad management and audio playback software during an off-air practice run on Jan. 29. While the majority of СÂÜÀòÓ°ÊÓ’s broadcast is recorded live in-house, prerecorded reporter stories, segment transitions and ads are run by anchors using the main studio’s mixing board. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP anchor Bruce Alan mans the Glass-Enclosed Nerve Center's new mixing board, which controls audio levels and can feed listener calls into the broadcast. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ anchor Bruce Alan mans the Glass-Enclosed Nerve Center’s new mixing board, which controls audio levels and can feed listener calls into the broadcast. With this audio mixer, an anchor can also bring in live audio from any of the 47 editing stations throughout the new office, or prerecorded news reports from СÂÜÀòÓ°ÊÓ’s affiliates. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A close-up view of the main control board in СÂÜÀòÓ°ÊÓ's new Glass-Enclosed Nerve Center. With this audio mixer, an anchor can feed live audio from any of the 47 editing stations throughout the new office, or pre-recorded news reports from СÂÜÀòÓ°ÊÓ's affiliates. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A close-up view of the main control board in СÂÜÀòÓ°ÊÓ’s new Glass-Enclosed Nerve Center. “This is where anchors will be able to bring the audience interviews from near and far, and allow us to bring listeners the most extensive coverage of live breaking news in the D.C. region and beyond,” СÂÜÀòÓ°ÊÓ reporter and anchor Mike Murillo said. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new Glass-Enclosed Nerve Center on Wisconsin Avenue took over from СÂÜÀòÓ°ÊÓ's old building on Idaho Avenue, which hosted the broadcast for three decades. More naturally lit and modernized, the new office space is surrounded by the restaurants, grocery stores, and shopping centers of Mazza Gallerie and Wisonsin Place on the Maryland side of Chevy Chase. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new Glass-Enclosed Nerve Center on Wisconsin Avenue took over from СÂÜÀòÓ°ÊÓ’s old building on Idaho Avenue at 10 p.m. on Feb. 2, which hosted the broadcast for three decades. More naturally lit and modernized, the new office space is surrounded by the restaurants, grocery stores, and shopping centers of Mazza Gallerie and Wisconsin Place on the Maryland side of Chevy Chase. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
An co-host's station in the new Glass-Enclosed Nerve Center. Pictured is СÂÜÀòÓ°ÊÓ's news management software, Burli, with which radio editors feed scripts, audio clips and news reports to the anchors throughout the station's hour-long lineup. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A co-host’s station in the new Glass-Enclosed Nerve Center. Pictured is СÂÜÀòÓ°ÊÓ’s news management software, Burli, with which radio editors feed scripts, audio clips and news reports to the anchors throughout the station’s hourlong lineup. The main studio is also equipped with a half dozen television monitors, where anchors can monitor the news, weather, traffic and more. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP night editor Anna Isaacs at her work station on Jan. 29. The Radio Editor handles the minute-to-minute flow and coverage of news, including the order of stories in the hourly lineup. They also seek out and book interviews, and direct anchors through breaking news coverage. Like the original СÂÜÀòÓ°ÊÓ newsroom, the new Radio Editor station has a direct line of sight into the Glass-Enclosed Nerve Center, and can communicate with the anchors through intercom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ night editor Anna Isaacs at her work station on Jan. 29. The Radio Editor handles the minute-to-minute flow and coverage of news, including the order of stories in the hourly lineup. They also seek out and book interviews, and direct anchors through breaking news coverage. Like the original СÂÜÀòÓ°ÊÓ newsroom, the new Radio Editor station has a direct line of sight into the main studio, and can talk with the anchors through intercom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Digital Editor is in charge of overseeing the minute-to-minute coverage of СÂÜÀòÓ°ÊÓ.com, deciding what stories go on the homepage, editing stories and coordinating with management, radio editors and reporters how stories will be presented online. Pictured is the new Digital Editor's desk, serving as the center of operations for СÂÜÀòÓ°ÊÓ's website, mobile apps and social media feeds. It comes equipped with a 34-inch curved ultrawide monitor — for a digital editor, there's no such thing as too much screen space. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Digital Editor handles real-time oversight of СÂÜÀòÓ°ÊÓ.com, deciding what stories go on the homepage, editing stories and coordinating with management, radio editors and reporters on how stories will be presented online. Pictured is the new Digital Editor’s desk, serving as the center of operations for СÂÜÀòÓ°ÊÓ’s website and mobile apps. It comes equipped with a 34-inch curved ultrawide monitor — for a digital editor, there’s no such thing as too much screen space. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP traffic reporter Ian Crawford logs on to his station in СÂÜÀòÓ°ÊÓ's new Traffic Center for a test-run. The new Traffic Center is twice as large as the first, and features twice as many screens. It'll also feature another first for the traffic team: A glass window overlooking the rest of the newsroom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ traffic reporter Ian Crawford logs on to his station in СÂÜÀòÓ°ÊÓ’s new Traffic Center — twice as large as the first, and featuring twice as many screens. It also features another first for the traffic team: A glass window overlooking the rest of the newsroom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP traffic reporter Mary de Pompa at her work station in the new Traffic Center. With more screens and updated technology, the Traffic Center will be able to monitor more camera and scanner feeds for a wider view of the situation on the roads. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ traffic reporter Mary de Pompa at her work station in the new Traffic Center. With more screens and updated technology, the Traffic Center will be able to monitor more cameras and scanner feeds for an even wider view of the situation on the roads. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP reporter Mike Murillo (center) leads СÂÜÀòÓ°ÊÓ's morning traffic team (from left, Mary de Pompa, Ian Crawford and Jack Taylor) through a demonstration of the newsroom's new virtual system for taking listener phonecalls. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ reporter and anchor Mike Murillo (seated) leads СÂÜÀòÓ°ÊÓ’s morning traffic team (from left, Mary de Pompa, Ian Crawford and Jack Taylor) through a demonstration of the newsroom’s new software for taking listener phone calls. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Traffic reporter Ian Crawford runs through an off-air test of the Traffic Center's reports "on the 8's." The vertical window at center-right offers a the Traffic Center a view into the new Glass-Enclosed Nervce Center. The traffic center can communicate with the radio editor and anchors in the main studio through an intercom system.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Traffic reporter Ian Crawford runs through an off-air test of the Traffic Center’s reports “on the 8’s.” The vertical window at center-right offers the Traffic Center a view into the new Glass-Enclosed Nervce Center. The Traffic Center can communicate with the Radio Editor and anchors through an intercom system. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP reporter Mike Murillo programs and calibrates audio sources feeding into the main studio's brand-new broadcast control board. From this station, an anchor can control СÂÜÀòÓ°ÊÓ's broadcast in real-time by changing volume levels, toggling dozens of audio feeds and playing pre-recorded ads or news reports. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ reporter Mike Murillo programs and calibrates audio sources into the main studio’s brand-new broadcast control board. From this station, an anchor can control СÂÜÀòÓ°ÊÓ’s broadcast in real-time by changing volume levels, toggling dozens of audio feeds and playing prerecorded ads or news reports. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A behind-the-scenes view of the new Glass-Enclosed Nerve Center as an anchor would see it during a broadcast. Pictured at center is Burli, the news management software СÂÜÀòÓ°ÊÓ's radio editors use to ferry scripts and news reports to anchors inside the main studio. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A behind-the-scenes view of the new Glass-Enclosed Nerve Center as an anchor would see it during a broadcast. Pictured at center is Burli, the news management software СÂÜÀòÓ°ÊÓ’s radio editors use to ferry scripts and news reports to anchors inside the main studio. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP's Mike Murillo programs the Glass-Enclosed Nerve Center's control console before anchors arrive for a practice run on Jan. 29. The starship-like circular bridge which seats the station's editors can be seen through the glass in the background. Though the studio is sound-proofed, editors can talk with the editors through an intercom system. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The starship-like circular bridge which seats the station’s editors can be seen through the glass in the background. Though the studio is soundproofed, editors can talk with the editors through an intercom system. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office space at 5425 Wisconsin Avenue will be the first time that СÂÜÀòÓ°ÊÓ and its sister station for federal employees, Federal СÂÜÀòÓ°ÊÓ Network (FNN), will be produced from the same floor. FNN's new nameplate is visible here, behind a forest of retractable microphone arms. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office space at 5425 Wisconsin Avenue will be the first time in years that СÂÜÀòÓ°ÊÓ and its sister station, Federal СÂÜÀòÓ°ÊÓ Network (FNN), will be produced from the same floor. FNN’s new nameplate is visible here, behind a forest of retractable microphone arms. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical work station at the recently rebranded Federal СÂÜÀòÓ°ÊÓ Network, СÂÜÀòÓ°ÊÓ's sister station providing news for federal employees. Mere seconds from the СÂÜÀòÓ°ÊÓ side of the office, the new building will be the first time both СÂÜÀòÓ°ÊÓ and WFED have shared the same floor space. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical work station at the recently rebranded Federal СÂÜÀòÓ°ÊÓ Network, СÂÜÀòÓ°ÊÓ’s sister station providing news for federal employees. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical reporter work station in СÂÜÀòÓ°ÊÓ's Wisconsin Avenue newsroom. Most stories from СÂÜÀòÓ°ÊÓ's radio reporters will be filed from stations like this one, featuring a virtual audio mixer, new system for phone interviews and the ability to go live on-air through the main control board located nearby in the new Glass-Enclosed Nerve Center. They can also convert into standing desks with the push of a button. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical reporter work station in СÂÜÀòÓ°ÊÓ’s Wisconsin Avenue newsroom. Most stories from СÂÜÀòÓ°ÊÓ’s radio reporters will be filed from stations like this one, featuring a virtual audio mixer, new system for phone interviews and the ability to go live on-air through the main control board located nearby in the new Glass-Enclosed Nerve Center. They can also convert into standing desks with the push of a button. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A new building means a new server room. At the Wisconsin Avenue building, even the servers will be housed on the same floor as СÂÜÀòÓ°ÊÓ and its sister stations. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A new building means a new server room. At the Wisconsin Avenue building, even the servers will be housed on the same floor as СÂÜÀòÓ°ÊÓ and its sister stations. It’s windy and noisy in here, with dozens of fans whirling to keep the data center cool. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Regretfully, the original on-air signs will be left behind in the old building — replaced by transparent back-lit signs like this one at the doors to the new Glass-Enclosed Nerve center, which turns bright red when the anchors inside are live. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Regretfully, the original on-air signs will be left behind in the old building — replaced by transparent backlit signs like this one at the doors to the new Glass-Enclosed Nerve center, which turns bright red when the anchors inside are recording. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP anchor Dimitri Sotis familiarizes himself with the new Glass-Enclosed Nerve Center. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
СÂÜÀòÓ°ÊÓ anchor Dimitri Sotis familiarizes himself with the new Glass-Enclosed Nerve Center. The Jan. 29 winter storm is underway outside, while coincidentally Sotis is seen here practicing a mock weather report. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The start of a new era: СÂÜÀòÓ°ÊÓ sports anchor Jonathan Warner brings the sport desk's army of bobbleheads to their home. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The start of a new era: СÂÜÀòÓ°ÊÓ sports anchor Jonathan Warner welcomes the sport desk’s army of bobbleheads to their home. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
It's a work in progress, but the sports desk's bobblehead armada is slowly coming together. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
It’s a work in progress, but the sports desk’s bobblehead armada is slowly coming together. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office cafe, СÂÜÀòÓ°ÊÓ Bites, features free coffee, tea and carbonated water dispensers, as well as plenty of seating space with a view of Friendship Heights. Its name was chosen by vote, beating runner-up "#Food4Thought." (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office cafe, СÂÜÀòÓ°ÊÓ Bites, features free coffee, tea and carbonated water dispensers, as well as plenty of seating space with a view of Friendship Heights. Its name was chosen by a company-wide vote, beating runner-up “#Food4Thought.” (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A view from the СÂÜÀòÓ°ÊÓ Bites Cafe over the new reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A view from the СÂÜÀòÓ°ÊÓ Bites Cafe over the new reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Wisconsin Avenue building offers much more seating space for staff than the last, spread out over a larger area. This relatively secluded corner, with a mural of the Capitol and a bird's eye view of Western Avenue, is sure to become a certain reporter's favorite space for a breather.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Wisconsin Avenue building offers much more seating space for staff than the last, spread out over a larger area. This relatively secluded corner, with a mural of the Capitol and a bird’s-eye view of Western Avenue, is sure to become a certain reporter’s favorite space for a breather. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A glowing, backlit СÂÜÀòÓ°ÊÓ logo greets visitors to the new office at 5425 Wisconsin Avenue. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A glowing, backlit СÂÜÀòÓ°ÊÓ logo greets visitors to the new office at 5425 Wisconsin Avenue. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Like the Idaho Avenue building, the First Amendment will feature prominently in the new office. Pictured, the 45 words which ensrine five freedoms are stenciled on glass panels facing the reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Like the Idaho Avenue building, the First Amendment will feature prominently in the new office. Pictured, the 45 words which enshrine five freedoms are stenciled on glass panels facing the reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
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Sunday, Feb. 3 was the Wisconsin Avenue newsroom's first full day in action. After a smooth handoff from the Idaho Avenue office, СÂÜÀòÓ°ÊÓ's on-air and web teams were settling in to their new desks. Pictured: Digital writer Jack Moore, hard at work reporting on a controversy enveloping Virginia Gov. Ralph Northam. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Dedicated СÂÜÀòÓ°ÊÓ listeners will likely be familiar with the fabled Glass-Enclosed Nerve Center (GENC), the translucent battleship bridge from which our anchors continously broadcast the news to millions in the D.C. area. The brand-new GENC at 5425 Wisconsin Ave. comes with more space, additional anchor positions, a private coffee machine, and, perhaps most fittingly: More glass. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Morning anchors Joan Jones and Bruce Alan go through a dry run of a standard news broadcast using the Glass Enclosed Nerve Center's new equipment. СÂÜÀòÓ°ÊÓ's news and advertising management softwares also saw upgrades, and audio engineers trained anchors how to use the new technology in the days leading up to the move. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Starting in early February, СÂÜÀòÓ°ÊÓ's live anchoring will be produced from six microphones like this one in the new Glass-Enclosed Nerve Center. The vast majority of 5425 Wisconsin Ave.'s technology is brand-new, under construction by Minnesota-based broadcast engineering team RadioDNA since late summer of 2018. СÂÜÀòÓ°ÊÓ's signal strength won't be impacted by the move, since the station's transmitter will remain at nearby American University. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A panoramic view of editing stations in the middle of the СÂÜÀòÓ°ÊÓ newsroom. (СÂÜÀòÓ°ÊÓ/Sarah Beth Hensley)
WTOP's new digital reporting and web development sections feature 24 work stations, all fitted with virtual mixers and microphones — a space age upgrade for the D.C. region's largest all-news format radio oulet. The new office space finally allows for all of СÂÜÀòÓ°ÊÓ's departments to coexist on the same floor, and is 8,000 square feet larger than the 30-year-old newsroom at Idaho Avenue.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP's new office space, shared with sister station Federal СÂÜÀòÓ°ÊÓ Radio, is just under 31,000 square feet in an eight-story building just a short walk from the Friendship Heights Metro station in Maryland. The extra space allows for a whole array of new technology, including recording equipment at every station and larger screens for the digital team (pictured). Most work stations also have the ability to convert into standing desks with the push of a button. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Anchor Joan Jones tests СÂÜÀòÓ°ÊÓ's new ad management and audio playback software during an off-air practice run on Jan. 29. While the majority of СÂÜÀòÓ°ÊÓ's broadcast is recorded live in-house, pre-recorded reporter stories, segment transitions and ads are played back by anchors using the main studio's mixing board. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP anchor Bruce Alan mans the Glass-Enclosed Nerve Center's new mixing board, which controls audio levels and can feed listener calls into the broadcast. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A close-up view of the main control board in СÂÜÀòÓ°ÊÓ's new Glass-Enclosed Nerve Center. With this audio mixer, an anchor can feed live audio from any of the 47 editing stations throughout the new office, or pre-recorded news reports from СÂÜÀòÓ°ÊÓ's affiliates. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new Glass-Enclosed Nerve Center on Wisconsin Avenue took over from СÂÜÀòÓ°ÊÓ's old building on Idaho Avenue, which hosted the broadcast for three decades. More naturally lit and modernized, the new office space is surrounded by the restaurants, grocery stores, and shopping centers of Mazza Gallerie and Wisonsin Place on the Maryland side of Chevy Chase. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
An co-host's station in the new Glass-Enclosed Nerve Center. Pictured is СÂÜÀòÓ°ÊÓ's news management software, Burli, with which radio editors feed scripts, audio clips and news reports to the anchors throughout the station's hour-long lineup. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP night editor Anna Isaacs at her work station on Jan. 29. The Radio Editor handles the minute-to-minute flow and coverage of news, including the order of stories in the hourly lineup. They also seek out and book interviews, and direct anchors through breaking news coverage. Like the original СÂÜÀòÓ°ÊÓ newsroom, the new Radio Editor station has a direct line of sight into the Glass-Enclosed Nerve Center, and can communicate with the anchors through intercom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Digital Editor is in charge of overseeing the minute-to-minute coverage of СÂÜÀòÓ°ÊÓ.com, deciding what stories go on the homepage, editing stories and coordinating with management, radio editors and reporters how stories will be presented online. Pictured is the new Digital Editor's desk, serving as the center of operations for СÂÜÀòÓ°ÊÓ's website, mobile apps and social media feeds. It comes equipped with a 34-inch curved ultrawide monitor — for a digital editor, there's no such thing as too much screen space. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP traffic reporter Ian Crawford logs on to his station in СÂÜÀòÓ°ÊÓ's new Traffic Center for a test-run. The new Traffic Center is twice as large as the first, and features twice as many screens. It'll also feature another first for the traffic team: A glass window overlooking the rest of the newsroom. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP traffic reporter Mary de Pompa at her work station in the new Traffic Center. With more screens and updated technology, the Traffic Center will be able to monitor more camera and scanner feeds for a wider view of the situation on the roads. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP reporter Mike Murillo (center) leads СÂÜÀòÓ°ÊÓ's morning traffic team (from left, Mary de Pompa, Ian Crawford and Jack Taylor) through a demonstration of the newsroom's new virtual system for taking listener phonecalls. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Traffic reporter Ian Crawford runs through an off-air test of the Traffic Center's reports "on the 8's." The vertical window at center-right offers a the Traffic Center a view into the new Glass-Enclosed Nervce Center. The traffic center can communicate with the radio editor and anchors in the main studio through an intercom system.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP reporter Mike Murillo programs and calibrates audio sources feeding into the main studio's brand-new broadcast control board. From this station, an anchor can control СÂÜÀòÓ°ÊÓ's broadcast in real-time by changing volume levels, toggling dozens of audio feeds and playing pre-recorded ads or news reports. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A behind-the-scenes view of the new Glass-Enclosed Nerve Center as an anchor would see it during a broadcast. Pictured at center is Burli, the news management software СÂÜÀòÓ°ÊÓ's radio editors use to ferry scripts and news reports to anchors inside the main studio. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP's Mike Murillo programs the Glass-Enclosed Nerve Center's control console before anchors arrive for a practice run on Jan. 29. The starship-like circular bridge which seats the station's editors can be seen through the glass in the background. Though the studio is sound-proofed, editors can talk with the editors through an intercom system. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office space at 5425 Wisconsin Avenue will be the first time that СÂÜÀòÓ°ÊÓ and its sister station for federal employees, Federal СÂÜÀòÓ°ÊÓ Network (FNN), will be produced from the same floor. FNN's new nameplate is visible here, behind a forest of retractable microphone arms. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical work station at the recently rebranded Federal СÂÜÀòÓ°ÊÓ Network, СÂÜÀòÓ°ÊÓ's sister station providing news for federal employees. Mere seconds from the СÂÜÀòÓ°ÊÓ side of the office, the new building will be the first time both СÂÜÀòÓ°ÊÓ and WFED have shared the same floor space. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A typical reporter work station in СÂÜÀòÓ°ÊÓ's Wisconsin Avenue newsroom. Most stories from СÂÜÀòÓ°ÊÓ's radio reporters will be filed from stations like this one, featuring a virtual audio mixer, new system for phone interviews and the ability to go live on-air through the main control board located nearby in the new Glass-Enclosed Nerve Center. They can also convert into standing desks with the push of a button. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A new building means a new server room. At the Wisconsin Avenue building, even the servers will be housed on the same floor as СÂÜÀòÓ°ÊÓ and its sister stations. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Regretfully, the original on-air signs will be left behind in the old building — replaced by transparent back-lit signs like this one at the doors to the new Glass-Enclosed Nerve center, which turns bright red when the anchors inside are live. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
WTOP anchor Dimitri Sotis familiarizes himself with the new Glass-Enclosed Nerve Center. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The start of a new era: СÂÜÀòÓ°ÊÓ sports anchor Jonathan Warner brings the sport desk's army of bobbleheads to their home. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
It's a work in progress, but the sports desk's bobblehead armada is slowly coming together. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The new office cafe, СÂÜÀòÓ°ÊÓ Bites, features free coffee, tea and carbonated water dispensers, as well as plenty of seating space with a view of Friendship Heights. Its name was chosen by vote, beating runner-up "#Food4Thought." (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A view from the СÂÜÀòÓ°ÊÓ Bites Cafe over the new reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
The Wisconsin Avenue building offers much more seating space for staff than the last, spread out over a larger area. This relatively secluded corner, with a mural of the Capitol and a bird's eye view of Western Avenue, is sure to become a certain reporter's favorite space for a breather.(СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
A glowing, backlit СÂÜÀòÓ°ÊÓ logo greets visitors to the new office at 5425 Wisconsin Avenue. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)
Like the Idaho Avenue building, the First Amendment will feature prominently in the new office. Pictured, the 45 words which ensrine five freedoms are stenciled on glass panels facing the reception area. (СÂÜÀòÓ°ÊÓ/Alejandro Alvarez)

Alejandro Alvarez

Alejandro Alvarez joined СÂÜÀòÓ°ÊÓ as a digital journalist and editor in June 2018. He is a reporter and photographer focusing on politics, political activism and international affairs.

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